Film response to "Onderneming Onderdak" (1982, by Andre Reeder)

the black rooms, cramped up, moist paint, holes and mould
open plumbing, open electricity
the bright administrative spaces of maps and shirts and documents


encounters in encountering numbers – guess who?
boats, cruising among boats Sundays


the common space in pensions
beer, shacking hands, uncontrolled expression of white
segregation along race; and; but; also;
along mental states
the kids among
watching the flipper ball bouncing off and around
dreaming of flipping the ball bouncing off and below themselves for a change


these kids
walking on the street, then proud and confident, chin up.
shopping, public domain – “we are, finally, nevertheless, here”
- see I


final song
and factuality of the situation absurd
finds its relief in grotesque festivity
demons, clowns and trans dressing up
and the liquor deep into the night all too white
among all of it the alienated body of colour

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